Returning to the mix is Crazy Lixx mastermind, Danny Rexon. Danny has this uncanny ability to meld the classic hair metal sound of the 80's with classic rock influences from prior decades. It is unapologetic in it's throwback nature. That's what sets this apart from other projects where a more modern approach is taken.
The album's opening track, the instantly grand "I Just Want You" is almost Jim Steinman in it's big production and whopping chorus. Kane's lead vocals are classy and gritty and of course will take you back to the days of Vixen or Lita Ford. "(The Things We Do) When We're Young And In Love" pulls a bit of mojo from 60's girl groups and melds it with an 80's top 40 vibe. Danny Rexon plays every instrument and is clearly a jack of all trades. It's actually quite remarkable how cohesive and well put together these songs are. It's surprising that Rexon hasn't been asked to replicate this sound for other artists.
"Rock You Up" is a big beat Def Leppard banger with the perfect 80's lyrical footprint. "Love Gone Wild" is another straight forward runner with Chez singing some precise high notes, a bit like a young Pat Benatar. And who doesn't love a well placed saxophone (played by Jesse Molloy)? This adds an Eddie Money dimension to things and is a welcome addition to the instrumentation. "Children of Tomorrow Gone" is an epic mix of big synth, driving guitars (plus a killer guitar solo) and another huge, memorable chorus. Chez's confidence can be felt in the way she delivers the goods, track after track.
"Powerzone" is a breathless rocker with a pounding beat and a swirling guitar solo that goes off on some really nice tangents. "I'm Ready (For Your Love)" is a sassy track that has a bluesy thing going on. Maybe like Alannah Myles on steroids but with all of the Aqua Net that makes this album stand out. "Nationwide" is the poised to be a hit single. It talks about how Chez is not yet an international superstar, but how she thinks she's doing alright. And quite clearly she is. It's another big hook with a clarion call to watch out, she's going nationwide. The message is perfect. The song is perfect. You go Chez! "Streets of Gold" has a working class vibe like Bad Company's "Shooting Star" or maybe "Livin' On A Prayer" by Bon Jovi. It's basically an old school storyteller ballad. It's awesome. "Guilty of Love"ends the album as an 8 minute opus with an extended guitar break at the end and with all the rock radio mojo of 1988. And it competes for best song on the record, thus maybe saving the best for last.
Rexon and Kane have delivered a melodic rock masterpiece. There are no songs that let you down. There is nothing that would make you skip to the next song. This fills a void that needs filling. The music industry is so stale and predictable. But this record gives me hope that Chez Kane and Danny Rexon can revive a musical style that could even impact radio here in the United States. If the Frontiers label wanted to make waves, they would call radio stations right now, and get this thing on the air. For the rest of us gold miners, here it is. The best example of melodic rock for 2022.
Album Rating 9.9
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